Between Form and Emptiness: An Exploration of Buddhist Theme in the Novel The Book of Form and Emptiness

Abstract

This article examines the role of Buddhist ideas in Ruth Ozeki's The Book of Form and Emptiness, with an emphasis on the central concepts of form and emptiness. Using qualitative methods, this study involves an in-depth analysis of the novel's text to explore how Ozeki integrates Buddhist teachings in the narrative and characters. In the novel, the concept of “form is emptiness, and emptiness is form” is not only a philosophy, but also reflects the dynamics of the characters' lives. Through the depiction of experiences and internal conflicts, the author highlights how Buddhist practices serve as tools to deal with personal and social challenges. This study found that Ozeki effectively utilizes multiple narrative voices to illustrate the complexity of spiritual beliefs, while creating space for readers to reflect on the application of the teachings in a modern context. Moreover, Buddhism has broader potential than just a spiritual dimension, it also enriches the literary experience by providing emotional depth and philosophical reflection. This article emphasizes that fiction serves not only as a form of entertainment, but also as a powerful medium for Buddhists to share wisdom and address contemporary issues, such as identity crisis, loss, and social uncertainty. As such, this study contributes to a deeper understanding of the relationship between literature and spirituality, as well as opening a dialogue on how literature can be a means to understand and deal with the complexities of life in a modern context.